Choosing the Viewpoint and Pre-focusing in Photography

The most efficient way to capture the action is with a tightly framed shot as close to the action as possible. This is according to a professional photographer who shoots for social media marketing in Fort Lauderdale, FL. The action that is very fast will require bright lighting so as not to hamper or reduce the shutter speed. The shutter speed will need to be quick to capture the action without blurring unless you’re in a position such as a head-on shot. Consideration should also be given to the background as to whether or not the color or features will blend with the subject in the frame. A thoughtful camera angle upwards or downwards can give the sense to the viewer of being there or being in action. The speed of your subject in action photography often means that it is impossible to take clear, focused shots all the time. Prefocusing is an invaluable technique whereby the photographer chooses a designated focus spot anticipating action and then sets his camera to that spot, focusing on the place before the action arrives, waiting for that moment to capture the action.

The most important factor following the prefocusing is the timing of the shot. An ill-timed shot produces an empty frame or a frame with an out-of-focus image. The photographer’s reaction time should be factored in also. Essential for a bright, inspired image is the shutter speed. Working with a fast shutter speed can result in a lifeless photograph if taken at the wrong moment. The photograph must invoke a sense of impending action such as a coiled athlete the time before springing into action. The moment immediately before the action is often the best time as the expression on the Sportsman’s face and the beginning of the measure allows the viewer to imagine ahead to the outcome.

Body positions in animals and humans are often the best indicators of motion and speed. The motor vehicle, on the other hand, is a difficult subject, in that, no matter how fast the vehicle travels, it always looks the same and doesn’t contort or flex to convey that movement or speed of movement to the viewer. Panning the camera during a shot and following the action can also give the impression of movement and speed. A slower shutter speed used to capture a fast moving image while following the movement with the camera blurs the background. The rate of the panning motion can also blur the subject slightly, again giving an impression of velocity and whirring movement.

The panning technique again involves the selection of a pre-focus spot. Determine the anticipated course of the action, focus on the spot and then as the work approaches frame your subject, follow the movement and activate the shutter as you move the camera with your purpose in the frame, remembering to follow through with the movement to avoid distorting the image.Taking action photographs can sometimes cause the photographer to forget about the background. The experience should highlight the subject and create a striking contrast. It should not be cluttered nor contain brightly colored or brightly lit objects which will detract from the subject and catch the viewer’s eye. Adjusting the depth of field is a good way to soften the impact of a bright and busy background, causing a slight blur and softening of the background, causing it to recede away from the viewer’s attention. Careful choice of a background can contribute to the effectiveness and mood of the shot.